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                  • 中國當代手工藝術創作與批評建構
                    換言之,英國的拉斯金對1851年“水晶宮”博覽會的批評在很大程度上影響并直接引發莫里斯領導的英國工藝美術運動,諸如沙利文“形式追隨功能”的批評標準、盧斯“裝飾即罪惡”的批評口號等,是為今日中國手工藝術發展之啟示
                    李計亮
                  • 拜占庭琺瑯制品初探
                    In the Christian tradition, staurotheke is a box or box used to store sacred objects (such as the remains of saints, clothes and cloth used or touched by saints, fragments of holy thorns and thorny crowns, etc.), which is considered to have supernatural healing power. The Fieschi Morgan Stauro
                    張帥弋辰
                  • 日本現代建筑中的禪意美學
                    This article begins with the expression of Zen aesthetics in Japanese traditional architecture “Sukiya”, andrefers to the architectural works by modern architect Tadao Ando. This articleprobes into the inheritance and evolution of Japanese modern architecture for Zen aesthetic ideology.一、日本傳統
                    周一文
                  • 針尖上的“繪畫”——上海絨繡
                    Artists of Shanghai Woolen Embroidery have innovated and reformed the color matching and hand dyeing process of woolen embroidery, which improves the artistic expression of woolen embroidery. The embroidery stitching method of woolen embroidery is based on the traditional Chinese handmade embroidery
                    范淑君
                  • 公共藝術的社會價值與創作特性
                    The quality of public art directly acts on on people’s material life and spiritual pursuit, influences the construction of cities, exerts profound impacts on national development, and implies the important social value.公共藝術在中國發展了三十余年,但依然存在著一些問題。而這些問題的改善和解決將更
                    張蕊
                  • 國學視野下的現代玻璃用器設計
                    Chinese glass utensils were first discovered in the Western Zhou Dynasty and flourished in the Qing Dynasty. They were mainly used for furnishings, daily necessities, stationery and worship supplies. With the popularization of craftsmanship among the people, the demand has also increased.  Th
                    吳昊
                  • 中國花鳥玉雕的美學特征
                    Chinese flower and bird jade carving art represents one of the most popular jade carving forms in the Chinese art history. Its vitality takes root in the character of the Chinese Nation. With the vicissitude of the times, this art radiates more and more youthful vitality. One of the important factor
                    王金忠
                  • 動物玉雕縱橫談
                    Since the humans began to appear, they have lived together with the animals on earth, and enjoy mutual influence and interdependence. The animalthemed jade works, which shine in the history of jade carving art, have continued to develop to the present day with eternal charms. These works have wri
                    范民廣
                  • 金陵竹刻的創作題材及創新策略探究
                    〔2〕陳媛媛,“雅”、“俗”互動中的竹刻藝術[J].上海工藝美術,2020(2):61.〔3〕陸曄,陸原.談金陵派竹刻藝術[J].美術觀察,2009(9):102.
                    谷青青?田雁冰
                  • 時尚品牌與歷史文化街區的融合
                    一、美國紡織服裝產業與時尚品牌文化十九世紀以來,以紡織服裝產業東部沿海紡織教育項目布局為抓手,美國積極推進工業化進程與紡織服裝人才培養,為時尚產業發展與二十世紀上半葉的世界時尚中心轉移奠定了基礎。二戰后,逐步形成以“流行文化與大眾市場”為特色的美國紐約時尚,與法國巴黎隔大西洋遙望,構成了橫跨歐、美的西
                    朱倩倩 劉麗嫻 盧益婧
                  • 高職文創設計人才培養的“三教”改革與實踐
                    本文立足上?!拔鍌€中心”和“四大品牌”建設戰略,主動服務和融入上海文創演藝產業和美麗健康產業,以協同發展、相互支撐的高職文創藝術專業群建設為載體,在藝科融合背景下構建了圍繞“時尚藝術+傳統文化、文創設計+信息技術”為教學主線的——“德藝兼備、創技融通”文創設計人才培養模式。通過“產教融合、以賽促學、以賽
                    王慧
                  • 南派戲裝道具的創新特征
                    (圖5)本文為《中國工藝美術全集》(上海卷)“上海戲裝與道具”章的階段研究成果。
                    徐勤
                  • 從跨界風潮中探求首飾設計發展創新
                    目前我國首飾消費市場上普遍存在嚴重同質化的現象,長期來形成的依賴傳統元素形成了產品題材形式單一,首飾設計縱向發展愈難突破。面對消費市場多元化的需求,僅限首飾傳統設計單一的設計語言無法滿足消費者群體需求。而作為設計師不得不尋找新的發展方向,跨界去其他橫向領域尋找新靈感實現創新。我們提出跨界設計思維方式應
                    俞穎
                  • 中國傳統繪畫在清代玉石雕刻設計中的應用
                    Chinese traditional painting and jadestone carving art are epitomes of excellent traditional culture in China. Both of them come down in one continuous line together with the Chinese civilization and boast a long history. They have been passed down for thousands of years and remain to this day.中國傳
                    王發開
                  • 當代陶瓷祥瑞動物雕塑創作方向探究
                    On four dimensions of “artistic expressiveness”, “spiritual attitude”,“crossover integration” and “life aesthetics”, this article focuses on the creation direction for contemporary ceramic sculptures of auspicious animals.早在新石器時代,我國原始陶器中就有大量的動物造型出現,由于原始宗教與
                    李建(李子木)
                  • 藍印花布印染技藝的當代傳承
                    實際上,我國藍印花布印染技藝的傳承與保護工作起始于20世紀50年代,工藝美術史論家對傳承近千年的民間藍印花布進行全方位調查研究,對藍印花布進行收集、整理并出版了藍印花布的相關書籍和圖冊,搶救、保護了流傳在民間的藍印花布印染技藝
                    孔令平
                  • 基于環境心理視角下的城市新區街道研究
                    In our urban construction, especially in new urban construction, due to the short modernization time, often appear in urban street culture fault, atmosphere loss and so on. Therefore, the psychological field theory and Gestalt psychology represented by Lewin as the evaluation system, through th
                    趙恩澤
                  • 皓月觀海高士臨風
                    此作是白士風晚年扛鼎之作, 榮獲江蘇省工藝美術百花獎和紫金杯大獎。1986年新加坡藏家以3萬余元從常州工藝美術研究所收購 此作,不到一年,又以60萬元臺幣巨資轉售中國臺灣藏家。
                    梁文杰
                  • 邂逅名畫中的珠寶
                    Painting and jewelry are two forms of artistic expression with extraordinary visual and aesthetic expressive power. Even though they were born in different times and cultures, they are ultimate embodiments of people’s creativity and aesthetic pursuit.繪畫與珠寶,這是兩種極具藝術性的表達形式,它們在
                    程曉蕓
                  • 我國非物質文化遺產博物館的展陳導向
                    Compared with the traditional museums, the Intangible Cultural Heritage Museum’s business functions such as exhibition, display, publicity and education are changing, making it an important proposition to explore the exhibition direction of the Intangible Cultural Heritage Museum. Therefore, in
                    孔令平
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